Issues : Authentic post-publication changes and variants
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b. 27-28
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composition: Op. 10 No 7, Etude in C major
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Chopin's annotation in FED establishes a different dynamic concept of this transition here. According to us, it is at least equal with the version of A (→FE→GE,EE). However, as it cannot be excluded that according to the composer's intention the change was only a suggestion connected with the personality or capabilities of a certain pupil, in the main text we limit ourselves to giving information on this alternative concept. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Authentic post-publication changes and variants |
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b. 57-58
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composition: Op. 10 No 7, Etude in C major
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Chopin's annotation in FED defines a different dynamic concept of the final passage of the Etude in this place. We give the information on this alternative solution to the version of A (→FE→GE,EE) in the main text in the form of an annotation at the bottom of the page. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Authentic post-publication changes and variants |
